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3 reviews for Yoo Ji-ae Make A Woman Cum For Once Shirt

Rated 5 out of 5
Tina Buenning (verified owner) – December 20, 2021
Great service and nice quality for the money. On time for our birthday bash abroad.
1 product
Rated 5 out of 5
George Shaffer (verified owner) – December 20, 2021
I am very happy after receiving my order. I put some very fine details into the design, and the finished article was exactly as I had wished.
1 product
Rated 5 out of 5
Nicola Ross (verified owner) – December 20, 2021
I ordered a tshirt as a present for a friend and I was unsure how the image would turn out, but it looks great.

When screen printer Natalie Gaimari marched with the river of pink hats trickling up New York’s Fifth Avenue this January, she brought a stack of t-shirts to sell for Planned Parenthood, her favorite charity.
White with red lettering, the shirts put an irreverent spin on “Make America Great Again,” (Gaimari’s version: “Make a Woman Cum for Once,” shown above left) and at $15 each, quickly sold out. Before the March, Gaimari launched an online store for people who didn’t have cash on hand. By the end of the week, she was flooded with hundreds of additional orders. To date, she’s raised over $10,000 for Planned Parenthood, and with the help of a few friends, has hand printed, packed and shipped shirts to every corner of the country.
Then something else happened.

Less than two weeks after the Women’s March, Gaimari Googled her shop and found it buried under page after page of copycats. Dozens of identical t-shirts, all peddling her design (some with photos stolen from her website, a snap of the shirt on Gaimari’s own body), had relegated her site to the back pages of Google. Despite months of outreach from Gaimari and her social media followers, who have flooded the sites with pleas to remove the shirts or donate the proceeds to charity, they remain at the top of Google today.
Gaimari’s isn’t the first slogan to be scooped up by opportunists riding the lucrative wave of the anti-Trump resistance. Google search any of the designs galvanizing women post-election, from the crocheted “pussy hats” thousands wore on January 21 to the inadvertently-uniting “Nevertheless She Persisted,” and you’ll find it trumpeted on a dizzying range of hats, shirts, and other products.
Protesting is a prominent part of the zeitgeist, and it follows that people would try to make a buck off it. But this isn’t your run-of-the-mill social movement piggybacking. Like Gaimari’s MAGA takedown, many of the designs fueling the resistance are in aid of Planned Parenthood, the ACLU, and other equal rights groups that need donations now more than ever. Plagiarists aren’t just undermining independent artists; they’re siphoning a steady stream of cash from our most vulnerable populations.
“Ultimately, it’s about the donation,” Gaimari says. “We’re losing sales to people who are just trying to profit off of something that’s hot at the moment.”
Bootleg resistance gear can be found in all the usual places — Amazon, Etsy, eBay — but the bulk of the merchandise comes from sites like RedBubble, TeeSpring and other “online marketplaces” that let users upload artwork onto t-shirts and sell them en masse. It’s a clever business model that removes the overhead costs that typically plague small businesses, but it also makes plagiarism — and monetizing popular sentiment — really easy.
Related:
- A Day in the Life of a Real Planned Parenthood Employee
- How People Are Showing Support for Planned Parenthood
- Trump Just Signed a Bill That Lets States Defund Planned Parenthood
“It’s an issue,” says Amanda Brinkman, co-founder of Google Ghost and the designer behind the now-iconic “Nasty Woman” shirt. “Customers don’t understand that business model, and they don’t realize they’re being sold stolen designs.”

Brinkman, who donates half of the proceeds of her shirt sales to Planned Parenthood, has raised over $130,000 for the organization as of March — a figure that would be much higher had her design not been repeatedly co-opted by online vendors. Copycat versions of Brinkman’s design are so rampant, she says, that she’s seen targeted ads of these copycat shirts on her own Facebook feed. Brinkman sends legal notices to these sites, she says, but it’s a futile pursuit, adding, “Every notice I send Redbubble to take down a blatant ripoff of my design, 10 new knockoffs show up.”
In an email response to questions, Redbubble co-founder and CEO Martin Hosking says the company has a team “dedicated to removing content that is claimed to be infringing and also preventing infringement,” he says. But: “ ... given the scale at which we work, we cannot guarantee that copyright infringement is not committed by a small minority of users.”
Most online marketplaces like Redbubble do have user agreements that spell out copyright and intellectual property laws. But since many artists don’t have the time or money it would take to hunt down and sue the rotating cast of people who steal their designs, bad actors often go unpunished.
This isn’t a new problem — design theft stems far beyond the resistance, and has long tormented artists who can’t afford to litigate against it. In the age of the meme, where phrases (“Pizza rolls not gender roles”) and quotes (‘They go low, we go high”) are so frequently rehashed, it’s fruitless to try and claim one as your own. Brinkman didn’t coin “Nasty Woman;” that’s our president’s doing. And Gaimari isn’t the first to marry his rhetoric with, um, bodily functions.
But make no mistake, the meme-fication of the resistance comes at great expense to everyone involved.
Nicole LaRue, the artist behind the official Women’s March logo, which now competes with dozens of plagiarists for search engine space, harbors no illusions to the contrary. “I suspect that when something is great, everyone wants to be a part of that greatness,” she says. “And, sadly, I suspect that some just see it as an easy way to monetize something that has a built-in audience.”
For independent artists like LaRue, the mass of business-savvy trolls commodifying their work is deflating, and hard to bounce back from. For the progressive groups that need more than just a catchy slogan to survive the Trump era, it’s eroding a lifeline.